| Hugh
Kellenberger
Editor-In-Chief
What would happen if you combined Twister, Independence Day and
The Patriot, then threw it in the environment of a post 9/11 world?
The Day After Tomorrow.
What saves the movie, with its paint-by-numbers plot and numerous
special effects, is the performance of two actors: Jake Gyllenhaal
and Emmy Rossum.
Gyllenhaal, in his first big-budget film of any genre, plays Sam
Hall. Sam is the kid in the back of the class who knows every
answer but can’t be bothered by raising his hand. However,
through his extreme like for Laura (Rossum), he ends up on an
academic decathlon team headed for New York City.
Dennis Quaid plays essentially the same character from The Rookie;
except for he’s a paleoclimatologist instead of a washed-up
high school baseball coach turned circus stunt. Obviously, more
education was required. Jack Hall, Sam’s dad, warns everyone
of the impending weather freak-out, but no one listens.
Has there ever been a movie where an impending disaster of some
sort was averted because everyone listened to the handsome genius?
Of course, if that happened, we wouldn’t have a movie.
It’s hailing in Tokyo, snowing in New Delhi and tornadoes
have torn a new one into Los Angeles. Still no one believes this
is any kind of extreme event, but rather a series of strange coincidences.
Well that is, except for Jack and the kindly old Scottish man
Terry Rapson (Ian Holm, best known for the Lord of the Rings trilogy).
Rapson is the real scientific hero of the film, for he feeds Jack
most of the information that Jack is running to the White House
with.
When the blizzard hits everyone realizes, by god, the handsome
gentleman in the corner was right. So what does Jack do? Run around
the White House screaming, “I told you so,” escape
to the nearest South American country, or drive/walk to New York
City? I would go for the former, but bless his heart Jack is going
to the Big Apple.
He must go and retrieve his son, his son’s girlfriend and
the obligatory nerdy black kid, all of which are stuck in the
New York Public Library. They are with a whole bunch of hanger-ons,
none of whom director Roland Emmerich even cares enough to give
a name to.
One of the things that set this film apart from the stale, tired
disaster flicks is the subtle winks to the audience. Vice President
Becker is obviously a Dick Cheney clone. He looks like him, talks
like him and seems to have the same set of priorities. The only
difference? Kenneth Welsh shows the character is in fact, not
a cyborg, and does have a heart.
The audience is told that President Blake, who is rarely seen
and even less heard, had to excuse all Latin American debt in
order to open the borders to Mexico. This scene plays for high
comedy, as guys in business suits attempt to cross the Rio Grande,
suitcase overhead. One can only assume they’ll be running
Mexico City within 72 hours.
Gyllenhaal played a high-school senior five years ago in October
Sky, but plays this character so well for most of the film I forgot
he is fact 23 years old. The fact that Sam, or Jack never gives
a ludicrously over-emotional speech to the masses is one of the
real joys of the film. There is no Bill Pullman in Independence
Day speech, with cheering crowds whooping at grade-A american
cheese.
This is not to say the film is completely devoid of smaltz. Sela
Ward, who plays the mother of Sam and ex-wife of Jack, has an
entire storyline revolving around a sickly young boy that could
make even those who own Fried Green Tomatoes on DVD, LaserDisc
and video barf.
Rossum plays her character for what she is: the gentle, compassionate,
intelligent, beautiful, under-stated heroine. Rossum (Mystic River)
has the same quality that Kate Beckinsale does: the film the lights
up when she’s on screen. There’s a certain magic quality
to her smile that allows her to say anything she wants and have
the audience hang on every word.
Is The Day After Tomorrow perfect? No, far from it. It focuses
way too much on the plight of the United States and way too many
people live.
However, it is a film that you can express a strong like for without
shame five years from now.
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