| Ryan
Finn
Staff Writer
"The Stepford Wives" is a movie that has no idea what
it wants to be. It believes that it is part satire, part comedy,
and even part horror film. Truthfully, though, it doesn’t
much succeed as any of them.
The film is a remake of the 1975 mystery/thriller that, to my
knowledge, employed moments of unsettling menace and witty camp
to construct a feminist cautionary tale. The phrase “Stepford
Wife” derisively came to mean any woman/wife/girlfriend
who ignored the tenets of feminism and cowed submissively to their
respective men.
If you have seen the trailers for the remake, or have read anything
about the film at all, the “twist” should not be surprising:
the climax of the original film is simply used for the entire
premise of the remake.
Joanna Eberhart (Nicole Kidman) is the high-powered television
executive who suffers an emotional and physical breakdown after
being fired. Apparently, an angry victim of one of her cruel reality
TV shows went on a shooting spree. I suppose they’ll fire
people for anything these days.
To start anew, Joanna and her very supporting/dominated husband
Walter (Matthew Broderick) whisk themselves away to the cloyingly
Martha Stewart-esque community of Stepford, Connecticut. There
they meet dozens of frumpy husbands with unnaturally perfect wives.
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