April 29, 2004 Online Since 1996 Vol 78 No. 51
The Appalachian | Entertainment
Stiff Little Fingers stick it to the man
David Brewer
Staff Writer

In the late 1970s and early 1980s, the angry sound of rebellion and frustration was coming together in the United Kingdom and sweeping the world as punk rock.

Though starting out as a Clash-inspired cover band in Belfast, Ireland, the Stiff Little Fingers would go on to write and record many punk classics.

After their initial success, the band called it quits for several years in the 1980s, only to reemerge to an even bigger following than the one they left behind.

Encouraged by their rabid fans and a few reunion shows, the Stiff Little Fingers reformed for good in 1991 and have been making records ever since.

On their latest outing entitled “Guitar and Drum,” the Fingers show once again why they have managed to last so long.

Their songs are focused, well crafted pop punk masterpieces with edgy guitar hooks and lyrics that demand to be heard. The album’s production is minimal; letting the sound of old school rock reign with distorted guitars and hard-hitting drums.

Of the 14 new songs on the album, many are about rebellion and standing up for what one believes in the face of resistance.

For some, this might be a musical epiphany, seeing as how rebellion is seemingly unimportant to so many in current musical trends.

The Fingers are obviously not concerned with selling millions of records on a major record label. They are concerned, however, with speaking their minds and encouraging others to do so as well.

The Stiff Little Fingers’ chief songwriter and lead guitar player Jake Burns is most certainly not at a loss for opinions.

The title track of the album is a scathing rant, albeit very melodic, towards the many other bands that play the meaningless sell-out version of punk. Lyrics like “Go on ahead and make the fat cats fatter/And for God’s sake don’t say anything that matters” speak volumes about Burns’ attitude towards the new pop punk bands.

Another standout track on the album is “Strummerville,” a Clash-esque rocker done in tribute to the late Joe Strummer, former lead singer of The Clash.

Burns cites Strummer as a huge inspiration, singing about the passion that he brought back to the music when it was sorely lacking.

Aside from the fist-pumping rockers on the album, the Fingers mix things up with songs such as “Dead Man Walking,” a mid-tempo tune with simple but effective acoustic rhythm guitar and lush vocal and guitar harmonies throughout.

Although it’s clearly Burns’ show, the contributions by the other Fingers are significant. Rhythm guitarist Ian McCallum’s songs “Be True to Yourself” and “Can’t Get Away With That” are of the album’s most melodically interesting.

Bass player Bruce Foxton and Drummer Steve Grantley also make solid songwriting contributions to the album.

The Stiff Little Fingers will be touring the U.S. throughout the summer in support of “Guitar and Drum,” which will be out on the Kung Fu record label and in stores today.

 
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