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by ALLISON CASEY
Lifestyles Editor
It’s not often a mandolin player duels with a pedal steel guitar player and a seven string bass is seen on stage with a fiddle.
It’s even less often bluegrass and sacred steel band team up for a multi-state tour.
But somehow, it works to produce a self-described “wall of sound.”
 Grammy award nominee Johnny Neel plays the keyboard with the Travelin’ McCoury’s Thursday night at Legends. Neel has also performed with the Allman Brothers and Gov’t Mule among many others. Photo by James Fay.
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The Travelin’ McCoury’s played with The Lee Boys Thursday night at Legends for the second stop on their tour.
The
bands first played an impromptu set together at Delfest, a music
festival in Maryland named for famed bluegrass musician Del McCoury.
“It’s
exciting, you know, being able to do something neither one of us have
done before,” Ronnie McCoury, son of Del McCoury and mandolin player
for The Travelin’ McCoury’s, said. “It’s not fun, we don’t want to do
it.”
Del
McCoury worked in the timber business, playing bluegrass shows at
nights and on the weekends, the same shows Ronnie grew up watching from
off stage.
“I never really thought about doing much other than playing music,” he said.
Though
vastly different in genre, it’s the same attitude that helps fuse the
musical styles of The Travelin’ McCoury’s with The Lee Boys.
The Lee
Boys, of Florida, are pioneers of the sacred steel style of music, a
genre that stems from the House of God Pentecostal church in which they
grew up.
Growing
up listening to everything from Hall ‘n Oates to B.B. King, Alvin Lee
and his siblings intertwined their influences back with the traditional
sacred steel elements to form a style of music all on their own.
“We were the rebels of the church,” Lee said.
The band
started after both Alvin’s father and brother, Glenn, died within the
same year. This loss encouraged Alvin and his brother to take the
music, “out of the four walls” and on the road.
And there’s been no looking back.
“I want
people to know there’s a reasoning behind The Lee Boys,” Alvin said.
“We want to spread our message, and I know they’re both smiling on us.”
Alvin, who went to college to be an accountant, said at the end of the day if they can touch one person, their job is done.
“You know, when we get on stage, that sums up any miscalculations,” Lee said.
In
December, the bands played together and sold out the Warren Hayes
Christmas Jam in Asheville, which was the last time they had seen each
other before the tour began.
Because
the combination of sacred steel and bluegrass is so unique, the groups
admit they’re still working out the bugs, but audiences don’t seem to
mind.
“I think
this part of the country loves music, period,” McCoury said. “It
doesn’t matter what it is, what kind it is, as long as it’s good and
they know it.”
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